Students of the digital age are used to specifying the size, color, opacity and response range of the simulated grain of their video in precise increments, but if you’re accustomed to ordering your film pre-flashed and then asking the lab to do a skip-bleach process on it, that’s exactly what you can have the Dfx filters do, using that exact terminology. This approach to digital filters should be especially comfortable for users who started out in traditional film and cinematography techniques. You can color-correct using the equivalent of traditional F-stop controls to affect brightness and saturation levels, or more precisely by controlling the color balance in the shadows, midtones and highlights of your video, or more generally by applying a lighting or tint filter to enhance or nullify certain colors. Tiffen has gone out of its way to let you do what you want with your footage. You can tweak and fine tune almost every aspect of a filter, from the color content to the saturation to the screen position to the intensity of the effect.
Finally, you can apply preset film grains and “looks,” from 8mm to Old Photograph.Īpplying the Dfx filters is as simple as applying any other video filter in Final Cut Pro. You’ll also find more conventional film lab processing filters like Bleach Bypass, a range of simulated lighting effects like Gold Reflector and some of those fun special effect filters everybody loves but almost nobody uses, like X-Ray or Nightvision. Those familiar with Tiffen’s optical lenses will see familiar names: Glimmerglass, Smoque and so on. They’re sorted mostly logically by filter type and broken into categories like Gels, HFX Grads / Tints and Lens.
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Otherwise, the install process went smoothly, and, after reboot, we found the plug-ins safely nestled in the Video Filters menu. The installation package required us to install several dubiously-named programs for no stated reason – we weren’t sure what a Nalpeiron Daemon was, we didn’t like how it sounded and the meager documentation was no help – but that will bother only security-conscious power-users.
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For our tests, we downloaded the trial version of the plug-ins and installed them on a Mac Powerbook G4 running Final Cut Pro 6.0 on top of OS X 10.4.6.
You can also purchase a boxed version for an extra shipping and handling fee. You can download all three versions from Tiffen’s Web site for a 15-day free trial.
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While Tiffen offers its still-image manipulation tools as either a stand-alone piece of software or a set of plug-ins for Adobe Photoshop, the video editing capabilities of Dfx can only be utilized as plug-ins for a specific set of video editing applications, namely Avid, Final Cut Pro and Adobe’s Premiere and After Effects. Aimed at both still and video shooters of all skill levels, the Tiffen Dfx software suite aims to digitally simulate a variety of post-production techniques and, for the most part, succeeds. With its Dfx digital filtering software, Tiffen has stepped out of its role in optical filters and into digital film editing.